'Harry Yoon,' the editor who joined after and , revealed his 'Korean pride.'

is an action blockbuster that will be released on the 30th, depicting the unpredictable team play of Marvel's oddballs, including former spies, assassins, and hitmen, striving to save the world from the greatest threats following the disappearance of the Avengers. The cast includes Florence Pugh, Sebastian RUSSELL, Wyatt RUSSELL, Olga Kurylenko, David Harbour, Hannah John-Kamen, and Julia Louis-Dreyfus.

Harry Yoon, the editor who has been active in various works including the Emmy-winning [The Angry People] as well as the films and , is ready to captivate audiences with high-density editing that fluidly transitions between action and emotion in .

Harry Yoon will share insights on along with a depth interview that explores the emotions captured in the film.

Q1. As a Korean-American creator, you have worked through numerous projects. Please share your thoughts on greeting Korean audiences for the second time with a Marvel film after .

I am really proud to be part of . I hope Korean audiences find this film, which combines humor and depth, entertaining. was a special film in the Marvel Cinematic Universe because it featured Asian actors in lead roles and had an Asian-centered story. I believe will also present themes and outstanding performances from the cast that resonate with audiences.

Q2. I am curious about how you got involved in or the process behind it.

Director Jake Schreier offered me because we worked together on the Netflix series [The Angry People]. He likely thought my experience in editing Marvel films would be beneficial, especially since this is his first Marvel film. I was very happy to participate in another Marvel project, as my experience during was very positive. Marvel provides creators with unparalleled resources and manpower.

Q3. This is your second collaboration with director Jake Schreier after [The Angry People]. How was the working process this time?

Director Jake Schreier is one of the most talented and dedicated people I have worked with. He directed episodes of [The Angry People] and demonstrated clarity in his intentions for each scene by skillfully utilizing framing and camera movement. He directs with a controlled and precise language, much like Hemingway in writing. He approached with the same thoroughness and meticulous preparations. As a talented editor himself, he knows exactly how scenes should connect, which required me to continue honing my skills as an editor to follow his vision.

A unique experience in this film project was spending most of the production period on set. Inspired by the collaboration style of director Bong Joon-ho and editor Yang Jin-mo, director Jake Schreier asked my co-editor, Angela Kattanzaro, and me to be present on set and edit in real-time alongside filming. For someone like me, who is used to editing comfortably in an office, it was quite a challenging task. However, Angela and I gradually adapted to the tough environment of the set, and I believe we were a significant help while Jake Schreier was filming the movie.

As a side note, director Jake Schreier has great respect for and admiration of Korean directors. You will find small, nuanced homages and references to directors Bong Joon-ho and Park Chan-wook in this film.

Q4. You have worked on various projects, including [Euphoria], , and [The Angry People]. What aspects of the Marvel working environment or process stood out to you?

It is not an exaggeration to say that Marvel films are made in the editing room. Executive producers Kevin Feige and Louis D'Esposito place tremendous importance on the editing process. They not only encourage an experimental and challenging culture that tests a variety of ideas but consider it essential. They spare no time or expense in utilizing all available tools to continuously improve the film, including additional filming, thorough audience testing, and teams of outstanding experts in visual effects, music, sound, color correction, and 3D conversion.

Q5. This film has six main characters. It must have been challenging to balance their individual stories while showcasing their unique charms. Did you consider character-specific elements differently during the editing process?

I think the biggest challenge in this film is the number of characters. While telling a good story, it is not easy to explain each character's background and abilities while making everything feel natural and engaging. I want to credit the excellent screenwriters Eric Pearson and Joanna Kallo, along with Marvel executives Brian Chapek and Alana Williams. They all worked with director Jake Schreier to encapsulate all the elements I mentioned before while successfully maintaining drama and humor.

The greatest task for my co-editor, Angela Kattanzaro, and me was maintaining the essential moments and emotions of each character while sustaining the overall pace and tension of the story. The editing process for this film felt akin to chiseling away unnecessary marble from a statue. We had to ensure that no part was broken while maintaining its beauty.

Q6. The protagonists in must confront villains with only their bodies and guns, without any special powers or weapons. What are the key points of the action, and what aspects did you focus on in the editing?

What I particularly liked about the action work in this film is how very human in scale it is. Since most characters use 'fists or guns,' the action is much rougher and more realistic, leading me to recall the hand-to-hand combat scenes from .

I also appreciated how director Jake Schreier's camera direction and cinematographer Andrew Droz Palermo captured action scenes very clearly and rhythmically. Editing this film was genuinely enjoyable. I could clearly see how the scenes would be completed from the set, which was a joyful experience for both the cast and the stunt team.

Q7. The involvement of the Korean creative team, including you and production designer Grace Yoon, stands out. Are there elements that would resonate particularly well with Korean audiences or characters they would empathize with?

From my experience watching Korean films and dramas, it seems that Korean audiences enjoy stories of the underdog, especially those who have faced significant loss or hardship in life. The main characters in this film, from Yelena to Red Guardian, Ghost, Taskmaster, John Walker, and Boba, are all socially marginalized individuals who bear great pain and struggle but try their best. I believe the process of these characters forming a team and their struggles and victories will resonate deeply with Korean audiences and elicit their support.

It was a great pleasure to work with Grace Yoon again on after [The Angry People]. She is not only incredibly talented but also one of the most dedicated designers I have encountered. While filming in Atlanta, I was able to enjoy delicious Korean food, which greatly helped me endure the demanding shooting schedule!

Q8. Do you feel a sense of pride or responsibility as part of the Korean creative team?

Of course. When I was young, I never imagined I would be able to work in Hollywood. There were hardly any Asian faces, whether actors or crew members. I hope that by seeing my name in the end credits, Korean and Korean-American individuals aspiring to work in Hollywood will gain the courage to pursue their dreams.

Q9. What points do you hope the audience will be most excited about in this film?

Above all, I think audiences will be pleasantly surprised to find that this film is much deeper and more moving than they expect. While it initially captivates with humor and action, the moment audiences immerse themselves in the characters, the story will take unexpected turns, and they'll experience feelings they never anticipated!

[Photo] Provided

[OSEN]